getOBphoto

Each month for a year I will use one pair of cameras, then next month switch to another pair. They are all fixed-lens compact cameras. I will use the same film stock in both cameras. Each month I will share my impressions from using the cameras, while showing the photographs I make. Part #7: November 2021 Film type: Fomapan 400 ASA exposed at 1600. The first camera is the AGFA Silette LK There's not much to say. There is full manual control of everything needed to make a photograph. Plus a selenium lightmeter which works just fine, as it turns out. This camera I have not used before. I did use a sibling a year before - a similar model, but with automatic exposure. Next up: AKA Akarette This is actually where I diverge from my own simple set of rules. The Akarette is a system camera. There are at least a 45, a 50 and a 75 mm lens for it. I have used a 50 mm Schneider-Kreuznach in the past, but here I used my 45 mm S-K. Why did I diverge? I only own the 45 lens and the camera h

Each month for a year I will use one pair of cameras, then next month switch to another pair. They are all fixed-lens compact cameras. I will use the same film stock in both cameras. Each month I will share my impressions from using the cameras, while showing the photographs I make. Part #6: October 2021 Film type: Kodak/Fujifilm 800 ASA redscaled and exposed at 100 ASA. It took me more than seven months to get the films developed, and I didn't make any notes, so I don't have much to say about the photographic process. What I can tell you is that both cameras are favourites of mine. One - Beirette - is fully manually controlled, with a 45 mm. The other - Hi-Matic C - is semi-automatic, with a 40 mm. I wrote about both cameras in the past here and here , for instance.  The films: Redscaled Kodak and Fujifilm 800 ASA I redscaled two fast films and exposed them at 50-100 ASA. See how I use redscale here . Minolta Hi-Matic C photos These are the only two that came out witho

I wanted to know why my Ilford Sportsman C Instant jammed. I still don't know, but now it works. Problem As you can see I applied a dramatic modification to my camera. It's a very simple camera that takes instamatic film cassettes and it displayed a phenomenon that I'd encountered in one of the few other instamatic cameras that I'd tried: The winder lever jammed and/or the spool-winder (for the film cassette) didn't engage with the cassette properly for film to be wound. So I did what any sane person... wouldn't do. I removed the top cover to see if I could discover what caused the jamming. After some time I saw a lever that engaged with a cogwheel that stopped it from turning. When I pushed the lever to the side it stuck in another position with a click. Then I could wind the lever and push the exposure button. After which the lever return to engage the cogwheel. Hmm... How this happened and why it couldn't be undone from just using the camera with a casse

  I made a Kodak Ultramax 400 ASA colour film into redscale last summer. I exposed it at 25 to 100 ASA. These are some of the photos. Visit my  Etsy shop  for cameras and related stuff,  the  facebook group  on modding lenses and cameras or my Instagram accounts ourbooksmalmo or flashknappen .

I fitted a wide-angle screw-on lens for a Konica 8 Zoom super-8 camera on my Steinheil Cassarit 45 mm and my Voigtlander Color-Lanthar 42 mm. I got WIDE on my half-frame camera!   It wasn't pretty, but it did the job for sure! I've been racking my brains for years trying to come up with a low budget wide-angle solution for the Pen F, which is the SLR I use the most. I got more than I could wish for because of all the character the lens contributes to photos! The film is a Fuji Ultramax 400 which I haven't colour corrected in any way. I increased contrast. The rest is the work of the scanning program. I didn't find the Ghostbusters' garage. It's my brother's! Visit my  Etsy shop  for cameras and related stuff,  the  facebook group  on modding lenses and cameras or my Instagram accounts ourbooksmalmo or flashknappen .